Tea Leaf Green
Lincoln Hall 01.21.12 Chicago
Words by Brian Hoey

Touring in support of Radio Tragedy!, released in the summer of 2011, Tea Leaf Green dug deep into their catalog for the opening number to kick off Friday night’s show in spectacular fashion. The San Francisco natives gave a succinct but impassioned version of "Vote on Tuesday" which swirled with a mad, foot-stomping fury. Check out the review from Chicago....


Phish
Madison Square Garden 12.28-31.11
Words by Patrick Lacey

It's the most wonderful time of the year, when Phish gives us a 4-night holiday run at Madison Square Garden. It's been 14 years since Phish has pulled into New York City for a 4-night stand that ends on the biggest party night of the year. As soon as you stepped out of the train station and onto the streets, you could already feel the excitement in the air.

Best of Albums: 2011

Best of Albums: 2011

An Audiophile's Silver Lining: Best of 2011
Words by WASTER Staff

As we procrastinate on fulfilling our New Year's resolutions, we take a final look back at the ghosts of albums past. Ladies and gents, the Best Records of 2011 according to us.


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An Audiophile's Silver Lining: Our Favorite Albums of 2011
Best of: Recordings | Foster the People, Black Keys, Charles Bradley...
01.04.2012

Words by Audra Tracy, Alex Napoliello, and Brittany Norvell
[WASTER Staff]


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2011's year in music found breakout bands, comeback kids, and a pack of hungry dogs.   Even though Jack White didn't cut a record this year, there was still some great music worth gushing over.

As we procrastinate on fulfilling our New Year's resolutions, we take a final look back at the ghosts of albums past. Turns out, we've got more than a few reasons to keep rockin' into 2012. Ladies and gents, the Best Records of the year according to us.

Foster the People
"Torches"
Columbia Records
[May 23, 2011]

Every year there is a band that comes out of nowhere, slaps you in the face and expects an apology. Foster The People win that award this year. When their hit 'Pumped Up Kicks' went viral in 2010, we knew there were big things to come, we just didn’t know how big. The band’s debut, Torches, is a must-hear from track one to ten.

'Helena Beat', 'Houdini' and 'Don’t Stop (Color on the Walls)' all have potential to be chart-topping singles, but it was 'Pumped Up Kicks' that spent eight consecutive weeks at the number three spot on the Billboard Hot 100. Torches is a nice compliment of catchy hooks, soothing electronic beats and melodic vocals that will leave you thinking…MGMT who?

www.fosterthepeople.com

Continue reading for The Black Keys and Portugal. The Man...


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The Black Keys
"El Camino"
Nonesuch Records
[December 6, 2011]

Undoubtedly one the most popular and beloved bands of the last decade, The Black Keys have won over both listeners and critics alike with their December release of El Camino.

A lot of hype was stirred up about this record - after all, how could they top their last critically acclaimed album, Brothers? Giving the people a sneak peek with a pre-release double-sided single, 'Lonely Boy' was all it took to convince fans that this too was a sure smash. YouTube went wild with views in the millions for the song's simple yet utterly brilliant video.

As a whole, Camino sticks to the Keys soulful, hipster sense, though you can tell several singles are more greatly influenced by rockers past (Led Zeppelin to name one). With that said, The Keys still remain a top group in these modern times, and most certainly will give you a reason to wear tight pants, grow a beard, and pick up a PBR.

www.theblackkeys.com

Portugal. The Man
"In the Mountain, In the Cloud"
Atlantic Records
[July 19, 2011]

Some things in life are better with age. This holiday season, it might be the cheddar on the platter or that glass of whiskey in your hand. Sometimes the same holds true with music. It can take years for a band to hone their sound, but it’s worth the wait when the right people finally get to hear it.

This holds true for Portugal.The Man, who released seven albums before Atlantic Records contacted them. In The Mountain, In The Cloud is the Alaskan-natives latest record and with the push of a major label, Portugal is finally getting heard. In The Mountain, In The Cloud peaked at number 42 on the Billboard 200, and hung around the college radio top ten for quite a while. With instant hits such as “Got It All (This Can’t Be Living Now)” and “So American”, this Portugal album is one of their best releases yet.

www.portugaltheman.com

Continue reading for Charles Bradley and Foo Fighters...


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Charles Bradley
"No Time for Dreaming"
Dunham/Daptone
[January 25, 2011]

The Daptone family gave soul singer Sharon Jones the push she needed to land her recent gig on VH1 Divas, and lately it seems the sky is the limit for late-bloomer Charles Bradley too. At 62, the Screaming Eagle of Soul has a voice that can make women form instant old man-crushes and grown men cry genuine tears.

He was discovered at a bar in Brooklyn performing James Brown covers under the alias Black Velvet, and Bradley channels the Godfather's swagger on his debut album No Time for Dreaming. Backed by The Menahan Street Band (a mix of members from The Dap Kings and The Budos Band), resounding songs like 'Lovin' You" and 'How Long' are best enjoyed on vinyl.

If this is a new addition to your play-list rotation, you're in luck - the reissue of Dreaming includes bonus covers of Neil Young's 'Heart of Gold' and Nirvana's 'Stay Away'. So run to the record store, drop the needle, and see how Daptone's House of Soul continues to defy the notion that an artist's "prime" has an age limit.

www.thecharlesbradley.com

Foo Fighters
"Wasting Light"
RCA Records
[April 12, 2011]

A question to propose. Can a legendary band who's been a huge part of rock culture since the 90’s ever really do wrong? In our opinion, no. Though it’s hard to conceive how such a well known, respected band could pull yet another winner out of a metaphorical magician's hat.

Dave Grohl and company have knocked listeners out of the park with the Foo’s latest release Wasting Light. As a whole, the album rekindles the heavier grungey sound harkening back to the days of Nirvana. Loud guitars and angry lyrics foster the vision of guitar legends wrecking a hotel room and not giving a deuce.

With the exception of the single 'Walk', which in itself is a vastly acclaimed hit, the rest of the release goes back to pure rock-n-roll roots that made us fall in love and rage hard to the Foo Fighters.

www.foofighters.com

Continue reading for Chris Cornell and White Denim...


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Chris Cornell
"Songbook"
Universal
[November 21, 2011]

Modern mixing programs like ProTools and AutoTune have desecrated our musical landscape, inundating it with synthetic sounds and over-produced pop songs. Since we cherish the rare musician who projects genuine, organic, unwavering talent, we're happy to report that in 2011, Chris Cornell restored our faith in the simple power of a man and his guitar.

His latest solo LP Songbook features stunning live acoustic performances of the songs that made him the 90's grunge god we know and love. From 'Call Me a Dog' (Temple of the Dog) to 'Black Hole Sun' (Soundgarden) to 'I Am The Highway' (Audioslave), Cornell's boundless vocal range can still knock the wind right out of you.

Joe Papeo, our very own Associate Editor of Photography, shot Cornell at Town Hall, Carnegie Hall, and Count Basie Theatre this year, and we're incredibly proud that two of his photos can be found in Songbook's inner sleeve.

www.chriscornell.com

White Denim
"D"
Downtown Records
[May 24, 2011]

Like the Twitter of the jamband scene, the guys from White Denim are proving with each new album that psychedelic fusion can fit in tight, four minute packages. The Austin, Texas quartet turned heads in 2011 with their latest release D.

Intricate melodies and sharp tempo changes on songs like 'Burnished' and 'At the Farm' definitely border on Phish territory. Swirly guitar riffs call to mind early Grateful Dead tunes, so much that the album's spacey single 'Drug' may someday end up the 'Casey Jones' of our generation.

White Denim is a jamband for the A.D.D. culture, and D cuts right to the chase.

www.whitedenimmusic.com

Continue reading for the The Parlor Mob, Beastie Boys and The Kills...


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The Parlor Mob
"Dogs"
Roadrunner Records
[October 11, 2011]

The Parlor Mob spent the majority of 2011 plotting a rock n' roll takeover in the manner our forefathers were used to: brazen rebellion at the receiving end of a leather boot and a pitchfork. 

After a year of intense writing and recording, the Asbury brotherhood was ready to unveil the follow-up to their 2008 Roadrunner Records debut And You Were a Crow. Their creation harnessed the power of rock n' roll for the breath of the new American Revolution.  Dogs is a testament of brotherhood backed by a message of hope, for a populace disillusioned by government and corporate corruption.

Passionate defiance yielded the band's finest work to date, and hands down one of the best hard-lined statements of 2011.

www.theparlormob.com

Beastie Boys
"Hot Sauce Committee Pt. Two"
Capitol Records
[May 3, 2011]

It’s hard to imagine the Beastie Boys are still going strong after 30-years. The Beasties were an integral part of the NYC hard-core movement in the late 1970’s-early 80’s, and the band’s metamorphosis is incomparable. Pioneers of the rap-rock genre, the Beastie Boys are still finding ways to make their music fresh.


Hot Sauce Committee Part Two was originally supposed to be the second installment of a two-part set. However, Adam “MCA” Yauch’s battle with cancer forced the band to scrap the idea. Hot Sauce is a masterful arrangement of modern samples that flow in and out of one another. The single from the record, 'Make Some Noise', is a crowd pleaser featuring a pleasant mix of quirky rhymes and funky beats.

Most of the Beastie Boys' 10th LP is heavily produced, however, the track 'Lee Majors Comes Again' is a throw back to the Ill Communication days. The Beastie Boys had to take a step back after MCA’s health issues, but Hot Sauce Committee Part Two is a clear indicator that this band is back and has no plans of stopping any time soon.

www.beastieboys.com

The Kills
"Blood Pressures"
Domino Records
[April 1, 2011]

Listening to The Kills does not make us think of innocent things. Truth be told, the duo's minimalist, provocative sound makes us want to wear leather and chain smoke and roll around in leopard-print sheets. Released in April of 2011, their fourth album Blood Pressures evokes all of these cravings and more.

Together Jamie Hince (guitar/vox) and Alison Mosshart (vox) make music for that little devil on your shoulder, especially on tracks like 'Heart is Beating Drum', 'DNA', and 'You Don't Own the Road'.

If you want sappy serenades, listen to Adele. If you prefer the sounds of rock n roll hellfire, we recommend you tap into Blood Pressures. Cheers to the best bad influence we've heard all year.

www.thekills.tv

TheWaster.com | New York City
01.04.2012
Stephen Kellogg & the Sixers 'Gift Horse'

Stephen Kellogg & the Sixers 'Gift Horse'

Stephen Kellogg & the Sixers
Gift Horse
Words by Bill Clifford

Mocean Worker, along with a slew of other amazing talent including Steven Bernstein and Charlie Hunter, blends classic sounds of jazz that play heavy on the horns and hard on the sharp notes with electronica influenced beats to create a modern hiptastic rhythm that’s Candygram for MoWo!

 
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Stephen Kellogg & the         Sixers
"Gift Horse"
Vanguard Records
© October 11, 2011
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Singer/songwriter Stephen Kellogg isn’t taking anything for granted. At least, that’s the loose theme of Gift Horse, the fifth studio CD from Stephen Kellogg and the Sixers, or “SK6ERS.” He choose to name the record with regard to the old, clichéd saying, ‘Don’t look a gift horse in the mouth’ after having toured the U.S. and the world, and feeling grateful to have a job, family and friends and a greater appreciation for America in general.

The first single and opener, “Gravity” gets right to the heart of the matter, and yes, it’s every bit as much about staying grounded as it sounds. The songwriter requests his listeners celebrate life rather than fear the future and raise their voices in harmony, suggesting that the sweet sound of a crowd keeps his feet planted firmly on the ground. If imitation is the stuff of flattery, then he’s laying it on thick for Simon and Garfunkel, as the song’s choral melody rings of their classic nugget “Cecilia.” Much like that tune, “Gravity” is a catchy, fast paced, acoustic rock song with a hummable melody. Also, it’s damn near impossible to listen to SK6ERS “1993” and not sing the verses to John Mellencamp’s 1983 pop single “Authority Song,” as the Sixers multi-voiced chorus on the former is a dead ringer for Mellencamp’s hit. On “1993” however, Kellogg reminisces about falling in love with his first and only, having a daughter and then in the blink of an eye… “That little miss became a woman overnight,” while Mellencamp was rebelling against adulthood.

Otherwise, Gift Horse is all SK6ERS. “Long Days, Fast Years,” is a lovely mid-tempo, acoustic rocker with banjo harmonies and a shimmering guitar chime, while “Song For Lovers” is a soft, emotional lovers lament, sung with male/female counter part vocals. Both are introspective and spiritual songs that examine mortality and beliefs in the afterlife. With spiraling piano lead and robust and steady percussion rhythms, “We Belong Here” is the climatic and inspirational theme song of the set. In the first verse, the protagonist introspectively scrutinizes his career choice: “If I'm being honest I'd have to admit that sometimes it gets to me still/Like I'm back in school and I want them to like me but I know that they never will;” then in the first chorus he preaches resolute belief in himself and his chosen craft: “I belong here, right where I am yeah I know I was meant to/Belong here, right where I am yeah I know I was meant to be here.”

Kellogg has always been a family man and that bond has leaked into his songwriting, whether in his own relationship with his father on earlier records and songs such as “My Old Man” and “Father’s Day,” or songs for his own children, such as “Sweet Sophia.” On Gift Horse, the pop nugget “Watch You Grow” – complete with a catchy, whistled bridge – looks on a child lovingly, and the infectious and upbeat pop rocker “Roots and Wings” – with a sweet vocal chorus of “oh, oh,” both instill core family values and beliefs passed from generation to generation. Married to his high school sweetheart, his one and only love, “My Favorite Place” is a lovely, piano and string laced ode to being in her arms, where worries slip away and home is wherever she is. And “Noelle, Noelle” is a lovely, acoustic lullaby to a child.

Is Gift Horse the final CD from SK6ERS? Will the band mates he’s been touring, writing and recording with since 2003 hang it up and move on to the working world of a 9-5 day job? Have we seen the last of Kellogg as a singer/songwriter, the family man giving up on his hopes and dreams in order to properly support his growing brood? It’s certainly speculative on my own part to make assumptions, but with a title like Gift Horse and unoriginal attempts at radio hits such as “Gravity” and the really unlistenable “1983,” and inspirational songs such as “We Belong here” and dad rock such as “Watch You Grow,” it surely can be inferred that such subjects have crossed his mind. That said, SK6ERS booked on a headline tour in support of Gift Horse through March of 2012, including dates with former label mates O.A.R.

Words by Bill Clifford

TheWaster.com | Mowo
12.13.2011