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An Audiophile's Silver Lining: Our Favorite Albums of 2011 |
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| Best of: Recordings | Foster the People, Black Keys, Charles Bradley... |
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| 01.04.2012 |
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Words by Audra Tracy, Alex Napoliello, and Brittany Norvell [WASTER Staff] |
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| 2011's year in music found breakout bands, comeback kids, and a pack of hungry dogs. Even though Jack White didn't cut a record this year, there was still some great music worth gushing over. As we procrastinate on fulfilling our New Year's resolutions, we take a final look back at the ghosts of albums past. Turns out, we've got more than a few reasons to keep rockin' into 2012. Ladies and gents, the Best Records of the year according to us.
'Helena Beat', 'Houdini' and 'Don’t Stop (Color on the Walls)' all have potential to be chart-topping singles, but it was 'Pumped Up Kicks' that spent eight consecutive weeks at the number three spot on the Billboard Hot 100. Torches is a nice compliment of catchy hooks, soothing electronic beats and melodic vocals that will leave you thinking…MGMT who? www.fosterthepeople.com Continue reading for The Black Keys and Portugal. The Man... |
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The Black Keys "El Camino" Nonesuch Records [December 6, 2011] Undoubtedly one the most popular and beloved bands of the last decade, The Black Keys have won over both listeners and critics alike with their December release of El Camino. A lot of hype was stirred up about this record - after all, how could they top their last critically acclaimed album, Brothers? Giving the people a sneak peek with a pre-release double-sided single, 'Lonely Boy' was all it took to convince fans that this too was a sure smash. YouTube went wild with views in the millions for the song's simple yet utterly brilliant video. As a whole, Camino sticks to the Keys soulful, hipster sense, though you can tell several singles are more greatly influenced by rockers past (Led Zeppelin to name one). With that said, The Keys still remain a top group in these modern times, and most certainly will give you a reason to wear tight pants, grow a beard, and pick up a PBR. www.theblackkeys.com
This holds true for Portugal.The Man, who released seven albums before Atlantic Records contacted them. In The Mountain, In The Cloud is the Alaskan-natives latest record and with the push of a major label, Portugal is finally getting heard. In The Mountain, In The Cloud peaked at number 42 on the Billboard 200, and hung around the college radio top ten for quite a while. With instant hits such as “Got It All (This Can’t Be Living Now)” and “So American”, this Portugal album is one of their best releases yet. www.portugaltheman.com Continue reading for Charles Bradley and Foo Fighters... |
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Dave Grohl and company have knocked listeners out of the park with the Foo’s latest release Wasting Light. As a whole, the album rekindles the heavier grungey sound harkening back to the days of Nirvana. Loud guitars and angry lyrics foster the vision of guitar legends wrecking a hotel room and not giving a deuce. With the exception of the single 'Walk', which in itself is a vastly acclaimed hit, the rest of the release goes back to pure rock-n-roll roots that made us fall in love and rage hard to the Foo Fighters. www.foofighters.com Continue reading for Chris Cornell and White Denim... |
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Chris Cornell "Songbook" Universal [November 21, 2011] Modern mixing programs like ProTools and AutoTune have desecrated our musical landscape, inundating it with synthetic sounds and over-produced pop songs. Since we cherish the rare musician who projects genuine, organic, unwavering talent, we're happy to report that in 2011, Chris Cornell restored our faith in the simple power of a man and his guitar. His latest solo LP Songbook features stunning live acoustic performances of the songs that made him the 90's grunge god we know and love. From 'Call Me a Dog' (Temple of the Dog) to 'Black Hole Sun' (Soundgarden) to 'I Am The Highway' (Audioslave), Cornell's boundless vocal range can still knock the wind right out of you. Joe Papeo, our very own Associate Editor of Photography, shot Cornell at Town Hall, Carnegie Hall, and Count Basie Theatre this year, and we're incredibly proud that two of his photos can be found in Songbook's inner sleeve. www.chriscornell.com
Intricate melodies and sharp tempo changes on songs like 'Burnished' and 'At the Farm' definitely border on Phish territory. Swirly guitar riffs call to mind early Grateful Dead tunes, so much that the album's spacey single 'Drug' may someday end up the 'Casey Jones' of our generation. White Denim is a jamband for the A.D.D. culture, and D cuts right to the chase. www.whitedenimmusic.com Continue reading for the The Parlor Mob, Beastie Boys and The Kills... |
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The Parlor Mob "Dogs" Roadrunner Records [October 11, 2011] The Parlor Mob spent the majority of 2011 plotting a rock n' roll takeover in the manner our forefathers were used to: brazen rebellion at the receiving end of a leather boot and a pitchfork. After a year of intense writing and recording, the Asbury brotherhood was ready to unveil the follow-up to their 2008 Roadrunner Records debut And You Were a Crow. Their creation harnessed the power of rock n' roll for the breath of the new American Revolution. Dogs is a testament of brotherhood backed by a message of hope, for a populace disillusioned by government and corporate corruption. Passionate defiance yielded the band's finest work to date, and hands down one of the best hard-lined statements of 2011. www.theparlormob.com
Hot Sauce Committee Part Two was originally supposed to be the second installment of a two-part set. However, Adam “MCA” Yauch’s battle with cancer forced the band to scrap the idea. Hot Sauce is a masterful arrangement of modern samples that flow in and out of one another. The single from the record, 'Make Some Noise', is a crowd pleaser featuring a pleasant mix of quirky rhymes and funky beats. Most of the Beastie Boys' 10th LP is heavily produced, however, the track 'Lee Majors Comes Again' is a throw back to the Ill Communication days. The Beastie Boys had to take a step back after MCA’s health issues, but Hot Sauce Committee Part Two is a clear indicator that this band is back and has no plans of stopping any time soon. www.beastieboys.com
Together Jamie Hince (guitar/vox) and Alison Mosshart (vox) make music for that little devil on your shoulder, especially on tracks like 'Heart is Beating Drum', 'DNA', and 'You Don't Own the Road'. If you want sappy serenades, listen to Adele. If you prefer the sounds of rock n roll hellfire, we recommend you tap into Blood Pressures. Cheers to the best bad influence we've heard all year. www.thekills.tv TheWaster.com | New York City 01.04.2012 |

















