Art Brut
06.01.2009
The Mercury Lounge :: New York City

Words & Images by Dave Cromwell

 

With the opening chugging chord progression of "Alcoholics Unanimous" kicking off the proceedings, the sold out Mercury Lounge crowd lunged forward in a desperate attempt to get closer to frontman Eddie Argos. It is a rabid and dedicated following that Art Brut has. This being the first night of 5 consecutive sold-out shows only served to underscore that point. The song itself is the first single release from the band's latest album Art Brut vs Satan.

Dealing with the issue of staying up way too late, drinking way too much and possibly upsetting many of your friends (and frankly, in that condition, who can remember what they said?) Argos delivers it all with a self-effacing humor and charm that seems to get him off the hook every time. The band and performance is high-energy from the start, and stays that way pretty much through the entire one-hour show. Of particular note on this song are the power-crunch guitar chords and melodic behind-the-chorus riffing of lead guitarist Ian Catskilkin.

They immediately followed that with the popular single from their previous album ("It's A Bit Complicated") and the equally energetic "Direct Hit". Rhythm guitarist and master of "Stagecraft" Jasper Future distinguishes himself on this one, as he mugs for the audience in his sharp dressed attire. Lyrically Eddie weaves a tale about finding the right partner, via that unique mating ritual one encounters in dance clubs. Ian and Jasper provide wonderful Beach-boy like "whooooo's" by way of background vocals. Only the second song in and already the crowd is boisterous and finger-pointing in time with the charismatic vocalist.

Continuing the pattern of the first two songs, they then dip back into their first album ("Bang Bang Rock & Roll") and a single release from that one, "Modern Art." This song is a particular crowd pleaser, as Eddie actually leaves the stage and ventures deep into the audience to deliver his somewhat improvised monologue on, well, "modern art". At least it's sometimes about modern art. It starts out that way. However, Eddie has been quoted as stating that the reason he doesn't get bored with his songs is that he is constantly updating the lyrics. On this you can easily see this happening. In fact, just before he ventures into the crowd he states "traditionally this songs ends here, but . . . " and then he goes off into whatever particular subject that has recently happened to him. This song more than any other exemplifies how a live performance can expand on the original recording.


Art Brut are truly a unique band. Their music initially displays the outward song structures and energetic pace of punk rock, yet on closer listen you hear more sophisticated guitar melodies being played behind choruses and outros. Combine that with the clever wit and literary styling's of their lyricist/vocalist and its clear that the 'punk' category is far too limiting.

Moving back to the current album, the band zipped through a peppy version of "Summer Job," and then presented two sides of erotic encounters with 2005's "Rusted Guns of Milan" followed by this year's "What A Rush". While 'Rusted Guns' deals with that rarely spoken about topic of when you just can't perform despite all efforts, 'What a Rush' gleefully displays the flip side of that coin, with a particularly catchy refrain sung by Jasper and Ian that goes 'Parents, please - lock up your daughters! His rebellious henchman is giving the orders'. Which Eddie follows up with 'You like the Beatles and I like the Stones, but those are just records our parents owned, I can't believe those things I said, blame it on a rush of love to the head!'

Then the audience was brought back to a sweeter and more innocent time, the early teenage years and one of the band's very first singles, all about Eddie's first girlfriend "Emily Kane." Eddie has been singing this song since 2005, but like so many of his others, he updates the lyrics based on current events. Here he tells us that Emily (who is definitely real) heard the song and got in touch. They're just friends now as each has a serious significant other. How cool that must be to have heard a song written about you. Or as Eddie said on this night 'how amazing is that!'

The band then played what might be considered the centerpiece (and the positional center point) of the set, "Demons Out!" This song contains the line where the album title comes from. "If we can't change the world, lets at least get the charts right," Eddie implores. "How can you sleep at night," he asks, "when no one likes the music *we* like," complete with glorious descending "Ahhhhhhhh's" from Jasper and Ian. Lyrically, the song is a scathing expose how so often the truly creative and unique artists get overlooked, while mass produced lowest-common-denominator clones are pushed up the charts. However, there is a glimmer of hope as Eddie assures us "don't worry, we can take them, this is Art Brut vs Satan." Once again, lead guitarist Ian Catskilkin provides solid musical underpinnings with his sinewy riffs behind the latter verses.

"DC Comics and Chocolate Milkshakes," "Pump Up The Volume," and "Good Weekend" were then played in succession before treating their fans to a live rendition of the "Alcoholics" b-side, "Positively 5th Street."
Moving fluidly through the remainder of their set, they finished up with "My Little Brother" (from the first album) and "Nag Nag Nag Nag" (from the second) before saying goodnight and heading off stage.

The raucous crowd didn't need any encouragement at all to keep the hand clapping, whistling, feet stomping and hooting that is the traditional means of letting your idols know that you demand more music from them. Happy to oblige, Art Brut trudged back out on stage and commenced to rip into a particularly demented version of "Bang Bang Rock and Roll." A fan called out for "18,000 Lira" and even though they hadn't planned on playing it, Eddie decided to give it a shot.

The throng at the front of the stage happily danced and sang along. When they next shouted for "Formed A Band,", Eddie replied "Nope. This next song is about drunken text messaging" and then they rip into "Post Soothing Out." It is truly the show's grand finale, as Eddie implores the audience to "give me your hands - you're wonderful!" To which everyone joyously obliges. Eddie then does a post-introduction of the band by singing "On guitar - Art Brut! On bass - Art Brut! On the drums - Art Brut! Lead guitar - Art Brut!" The band riffs and stomps out the ending and everyone is left sweat-soaked and satisfied.


Art Brut :: 06.01.2009 :: The Mercury Lounge


Art Brut :: 06.01.2009 :: The Mercury Lounge

To continue reading, please click here for:

Dave Cromwell's exclusive pre-show interview.


Art Brut LIVE at the Mercury Lounge 06.03.2009 NYC

Art Brut LIVE at the Mercury Lounge 06.05.2009 NYC

For videos of this performance please visit:
www.youtube.com/davecromwell

 

 



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