Dealing with the issue of staying up way too late, drinking way too much and possibly upsetting many of your friends (and frankly, in that condition, who can remember what they said?) Argos delivers it all with a self-effacing humor and charm that seems to get him off the hook every time. The band and performance is high-energy from the start, and stays that way pretty much through the entire one-hour show. Of particular note on this song are the power-crunch guitar chords and melodic behind-the-chorus riffing of lead guitarist Ian Catskilkin.
They immediately followed that with the popular single from their previous album ("It's A Bit Complicated") and the equally energetic "Direct Hit". Rhythm guitarist and master of "Stagecraft" Jasper Future distinguishes himself on this one, as he mugs for the audience in his sharp dressed attire. Lyrically Eddie weaves a tale about finding the right partner, via that unique mating ritual one encounters in dance clubs. Ian and Jasper provide wonderful Beach-boy like "whooooo's" by way of background vocals. Only the second song in and already the crowd is boisterous and finger-pointing in time with the charismatic vocalist.
Continuing the pattern of the first two songs, they then dip back into their first album ("Bang Bang Rock & Roll") and a single release from that one, "Modern Art." This song is a particular crowd pleaser, as Eddie actually leaves the stage and ventures deep into the audience to deliver his somewhat improvised monologue on, well, "modern art". At least it's sometimes about modern art. It starts out that way. However, Eddie has been quoted as stating that the reason he doesn't get bored with his songs is that he is constantly updating the lyrics. On this you can easily see this happening. In fact, just before he ventures into the crowd he states "traditionally this songs ends here, but . . . " and then he goes off into whatever particular subject that has recently happened to him. This song more than any other exemplifies how a live performance can expand on the original recording.
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