Comments Off on Soulive’s Royal Family Ball 5.5.11 New Orleans, Louisiana
Soulive’s Royal Family Ball 5.5.11 New Orleans, Louisiana
During Jazzfest 2011, the Contemporary Arts Center in New Orleans became home to the groove-engrained dance party that was billed as The Royal Family Ball
Title Fight ‘Shed’
Meet the newest addition to the LA-based punk label SideOneDummy Records: Title Fight. Hailing from Kingston, PA, Title Fight will fit right in with a
The Kills 04.29.11 Terminal 5 | New York City
By the time The Kills were through with Terminal 5 on Friday, everyone inside was ready to roll over and light a cigarette
New Mastersounds 04.26.11 Chico’s House of Jazz | Asbury Park
The New Mastersounds can quickly transform your normally quiet Tuesday into a Saturday night dance-off
Younger Brother ‘Vaccine’
Younger Brother takes the shape of varying genres of music and continues strong through their third studio album dubbed Vaccine
The Vinyl Crusades: Resurgence of the Inner Sleeve
We pay the ultimate ode to Vinyl in an industry sweeping column that brings together the factions of American music’s core round table
R. Stevie Moore 04.14.11 Cameo Gallery Brooklyn NYC
R. Stevie Moore opened his show at Brooklyn’s Cameo Gallery on April 14th wearing a white linen suit over a short-sleeved hoodie imprinted with neon
Gorillaz ‘The Fall’
Apple really needs to hire Damon Albarn and Jamie Hewlett for their next iPad commercial. I had no idea that that really big iPod could
CAKE ‘Not Sick of You Yet’
We got sweet on CAKE’s trumpeter Vince DiFiore, discussing Billboard charts, teen moms, temporary tattoos, and the pressures of playing The Big Apple
The Kills ‘Blood Pressures’
The Kills give us everything a rock band should – artsy music videos, pseudonyms, and a strong, healthy dose of sexual tension with Blood Pressures
The Strokes 04.01.11 Madison Square Garden NYC
The Strokes seduced Madison Square Garden like they had a truckload of roofies
Peter, Bjorn, and John ‘Gimme Some’
Peter, Bjorn, and John’s new album Gimme Some sounds like it’s guilty of being corrupted by mainstream music
